Function Point Creative Agency Software Set to Launch Version 10 – New Scheduling Module.


Vancouver, B.C. (PRWEB) June 01, 2012

Function Point Productivity Software Inc. (functionpoint.com), a worldwide leader in CRM, time tracking, invoicing and project management software for advertising agencies, design firms, and web development companies, is pleased to announce that it will be launching its newest version of the software (fp. version 10) on Tuesday, July 3rd 2012.

The upgrade to version 10 represents the fifth major release that Function Point has launched to our client base in the last 12 months” stated fp founder and CEO Chris Wilson. Tate Lillies, VP of Business Operations went on to say that “we are very excited about where our product is heading and believe that this new release will provide major benefits right out of the gate as we continue to up the ante on delivering the most effective project management and workflow tool and process built specifically for creative agencies.”

Function Point has been strategically re-writing its workflow management software with a focus on providing small to medium sized creative and design firms a business tool that will help increase profitability and ease the burden of clerical and financial work for service companies who want to maximize their billable time.

By developing the new task management and scheduling components of the system along with financial views, the company is not only trying to simplify a project manager’s job, it is trying to provide everyone in the agency with a view into the work that they are doing.

Highlights of the upgrade:


Schedules will become an independent module, with find and detail pages, more catalog and header data about the schedule object.
Schedules can be created independently, combined together and attached later to a job.
The introduction of a new fp.grid will be faster with less HTML.
Removal of the old template mechanism so any schedule can become a template.
Cloning of any schedule or template.
The Introduction of a new concept for container tasks and regular tasks.
New, more efficient loading, editing and saving mechanisms for task trees.
New, consistent state rules for task relationships with jobs, estimates, phases and services.
Addition of admin phases and services to the timeline items (when there is no estimate for pre-planning).
Notes (for CRM) become stand-alone main menu items with their own find and list pages.
An Improved UI for main navigation system (including re-sizes on smaller devices).
Addition of inline editing for more fields on schedules.
Creation of estimates and jobs from a schedule.
A sync from schedules to estimates.

About Function Point

Function Point Productivity Software Inc. (Function Point) is a web-based software as a service (SaaS) company, and is located in Vancouver B.C. The company was founded in 1997 and is a leader in workflow management software for advertising agencies, design firms, and web development companies. The software includes modules for customer relationship management (CRM), creative agency timesheet and job tracking, project management, purchase orders (POs), basic insertion orders, expense tracking and invoicing, as well as optional components for client collaboration, online design proofing and an integration to popular accounting packages such as QuickBooks and Simply Accounting. There are currently over 4000 active clients using the system as their primary task and project management tool.

With clients around the world, including Canada, the United States, Brazil, Singapore, the UK, Europe, Australia, South Africa and the Caribbean, the Company is truly international and continues to work hard at creating the perfect business tool for increasing agency efficiency and profitability. Companies in all facets of the creative industries us Function Point, including ad agencies, digital agencies, Web development companies, interior designers, architects and consultants to name a few.

The company prides itself on its best-in-class customer service, and backs everything with a 60-day, 100% money back guarantee.

Mission Statement

To help improve client profitability by providing a single, integrated solution for managing the day-to-day challenges of running a growing creative services company.







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Olympus

Palo Alto, CA (PRWEB) June 06, 2012

VoiceBase, Inc., a leading provider of machine-based voice indexing and search services, and Olympus, the market leader in manufacturing of portable digital voice recorders and professional dictation devices, today announced a strategic partnership. With just a few clicks, users of Olympus voice recorders can now store their personal recordings in the VoiceBase cloud where they become searchable by any spoken word, making it easy to find and listen to the most relevant section of any recording.

VoiceBase serves a big need for many Olympus users with an exciting solution that combines cloud storage with automatic keyword transcription and audio search services. VoiceBase even suggests terms identified in the recording, making it easy to explore and discover lectures, interviews and other personal audio content, said Amy Leslie, Senior Marketing and Business Development Manager, for Olympus.

VoiceBases unique pricing plan allows users to store up to 50 hours of audio for free, and up to 500 hours of audio for just $ 7.99/month. All uploaded recordings are machine-transcribed and search enabled within minutes. As needed, users can optionally select a perfect human transcription of any recording at industry-leading rates.

We are excited to improve how journalists, students, lawyers and doctors use their Olympus voice recorders by making all of their recordings searchable and sharable, said Walter Bachtiger, CEO of VoiceBase. Our partnership with Olympus highlights our unique service offering to personal and professional voice users.

About VoiceBase

Founded in 2010, VoiceBase is a leading provider of massively scalable cloud-based voice indexing and search services, designed to make uploaded audio and video content fully searchable and discoverable by keyword within minutes. The companys BIG VOICE solution utilizes a patent-pending user interface that combines automatically extracted keywords and color-coded, time-synchronized markers to facilitate the search and discovery of any recording. Headquartered in Palo Alto, California, VoiceBase is privately held. For more information on VoiceBase visit http://www.voicebase.com .

About Olympus Imaging America Inc.

Olympus Imaging America Inc. is a precision technology leader, designing and delivering award-winning products for consumer and professional markets.

Olympus Imaging America Inc. works collaboratively with its customers and its ultimate parent company, Olympus Corporation, to develop breakthrough technologies with revolutionary product design and functionality that enhance peoples lives every day. These include:

Santa Fe, New Mexico Business David Naylor Interiors Donates $9,500 New Mexico Artisan Hand Carved Chest to Buckaroo Ball Benefit for At-Risk Kids in Santa Fe County


Santa Fe, New Mexico (PRWEB) June 14, 2012

David Naylor Interiors is partnering with the Buckaroo Ball in support of one of the worthiest causes possible: the children of New Mexico. This is Naylors way of giving back to the community that has rewarded him with success and to help the event continue its outstanding contributions to organizations providing assistance to at-risk children throughout Santa Fe County. This exquisite wooden chest designed by Naylor and carved by a talented local artisan will be part of the live auction. Its valued at $ 9,500. Further information can be found on Naylors blog. David Naylor Interiors is a Featured Business on SantaFe.com and Hutton Broadcasting radio stations.

About David Naylor Interiors:

Formerly Visions Design Group, David Naylor Interiors provides home owners with Naylors distinctive interpretations of Old World/New World interior design.

David Naylor Interiors offers you more than just expert design consultationyoull get a complete vision for a home or a room like no other, with every detail crafted to work as an integral part of the larger whole. Naylor creates custom designs for furnishings, architectural features and accessories that are then brought to life by talented local woodcarvers, tile and textile artists and other fine artisans. His designs grace beautiful homes in Santa Fe and around the countryincluding New Mexicos Governors Mansion.

Contact:

David Naylor Interiors

111 N. St. Francis Drive

Santa Fe, New Mexico 87501

Phone: 505-988-3170

Info AT davidnaylorinteriors.com

About SantaFe.com

SantaFe.com provides locals and visitors to Santa Fe alike the most current interactive platform for events, music, arts, business, dining and lifestyle. SantaFe.com is a division of Hutton Broadcasting, located at 2502 C. Camino Entrada, Santa Fe, NM 87507

Contact Information:

Scott Hutton

SantaFe.com / Hutton Broadcasting

http://www.santafe.com

(505) 471-1067 (Media inquiries only, please)







Ten Years of Anger Management Classes Will Land You on Dr. Phil


Los Angeles, CA (PRWEB) June 05, 2012

Shannon Munford is both the owner and lead therapist at Daybreak Counseling Services, based out of Los Angeles, California. For the last decade Munford has dedicated his professional life to working with troubled teens, adults and families in need of anger management classes. He quickly became a fixture in the local community, and has since gained national recognition on shows such as Keeping up with the Kardashians and Dr. Phil.

Although Daybreak Counseling Services has been in business for the last ten years, Munford himself has been working in the anger management field for much longer. In the past, Munford has worked for the Los Angeles District Attorneys Office, The Department of Children and Family Services and continues to work for the Los Angeles Probation Department. Munfords extensive amount of real world experience is a great contributor to Daybreak Counseling Services current success. Munford agrees, stating Every family Ive worked with has made an impact on me and has helped to form my coaching philosophy. What I do, I dont do alone. The smiles and tears of my former and current clients guide me.

In addition to being a court appointed anger management educator, Munford also holds a Masters degree in Marriage and Family Therapy. Although the state of California does not require instructors of anger management classes to complete such a high level of education, Munford makes it a policy at Daybreak that each member of his staff completes a Masters level program. Munfords unique combination of education and experience are exactly the reason television personalities like Dr. Phil and Dylan Rattigan feature Munford as an expert on their shows. Realizing the therapeutic potential of these television appearances, Munford considers these opportunities a great responsibility. He explains, I dont take being broadcast around the world lightly. When I work with someone on television I am focused and centered on them, but I am fully aware the work we are doing has the potential to change millions of lives.

Munford is currently available for private sessions and as the facilitator of group workshops all over Los Angeles. His longevity in the field is a testament to the love and passion he feels for his work. In an effort to reach out to even more people, Munford has a plan in place, I am currently working with television producers on a new show that is designed to send a clear liberating message to those struggling with anger and aggression.

ITC is a high-end Internet Marketing firm ranked in the top 1% of the Search Engine Optimization industry. They specialize in Digital Advertising, SEO, Social Media Marketing, Reputation Management and Video Production. ITC is proud to have worked with Daybreak Counseling Services in developing a successful online marketing campaign.







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WAR OF THE WORLDS THE TRUE STORY adds Sacramento, California to its Theatrical Movie Release Dates.


Seattle, WA (PRWEB) June 08, 2012

Pendragon Pictures announces that Sacramento California has been added to the theatrical movie exhibition dates of WAR OF THE WORLDS THE TRUE STORY. The movie will make its California premiere in a special engagement at the luxurious Crest Theatre on Saturday, July 7th at 3:30 and 8pm.

The US theatrical release of WAR OF THE WORLDS THE TRUE STORY has its world premiere at Landmark Theatres Harvard Exit June 14 in Seattle. The limited engagement showings continue on June 22 in Bellingham, Washington at The Mount Baker Theatre, and June 21-24 in Portland Oregon at the Cinema 21 and The Hollywood Theatre. Then California, Arizona and New Mexico in July.

WAR OF THE WORLDS THE TRUE STORY is the eyewitness account of Bertie Wells, the last living survivor of the Earth/Mars War that took place in the year 1900. Bertie struggles to find his wife amidst the destruction of humankind at the hands of terrifying alien invaders. Using visual effects techniques pioneered in FORREST GUMP, WAR OF THE WORLDS THE TRUE STORY blends a modern cast with battalions of actual soldiers in combat, classic era movie stars, and declassified footage of tentacled alien creatures and their astonishing war machines.

Based on the most beloved sci-fi novel of all time by H.G. Wells, the movie is the result of a 15-year journey by Director Timothy Hines and Producers Donovan Le and Susan Goforth to bring the novel to the big screen. Starting as a $ 42-million production in 2001 with a Hollywood cast, the movie was shut down when the 9/11 attacks occurred. Now, triumphantly, this epic movie comes to theaters, capturing the original novel that terrified generations.

Bertie Wells is performed by veteran stage actor, octogenarian, Floyd Reichman, with the younger Bertie Wells preformed in flashback by Anthony Piana.

Anthony appeared as the writer in my 2005 movie version, says director Timothy Hines. We didnt want to retread what we had done before. Plus the 2005 movie was released unfinished. It was unfortunate for Anthony and other cast members to have the picture released in that state. It was a disservice to us all in that the distributors were in such a rush to beat Spielberg.

Producer Susan Goforth adds, When a movie is created many dozens of hours of footage are filmed. Any actor in any movie could be made to look bad if wrong takes and flawed moments are chosen or not properly removed. That is not the case here. The new movie, WAR OF THE WORLDS THE TRUE STORY is reconceived from scratch, with an entirely different approach, that is that the war between Earth and Mars is part of our history and this is a look back at the worlds bloodiest war that could have been.

In WAR OF THE WORLDS THE TRUE STORY we get it right. Timothy used a very tiny portion of footage from the original movie shoot. And that which was used, was chosen with great care and picked to concisely support the new vision, says producer Donovan Le.

The special effects in WAR OF THE WORLDS THE TRUE STORY were also handled with great care through laborious effects production and a post-production schedule of 121 weeks.

Hines says, The visual effects are state of the art and powerful but are also designed to seamlessly blend in with actual images of combat and the world of 1900.

Susan Goforth concurs, When we started this picture we all agreed that the effects should not be breakout movie stars on their own but support at every moment that the Earth Mars War actually happened.

The kind of care that went into the production can be illustrated with the work done by the talented effects artist, Ultrakarl, in the creation of the Martian alien invaders.

I felt a huge amount of anxiety, stress and pressure from myself, as artists sometimes tend to do, says Ultrakarl. I had a mind-set of, this isn’t my creation, but that of the father of science-fiction itself, whose work is so well known and loved for so long that I had to be very aware of that — a responsibility to H. G. Wells, the legions of fans and to myself.

My first order of business was to break down and figure out what Wells was saying about the creature and what he wasn’t saying. For example, my first sketches had the Martian with three sets of tentacles, thinking they would have based their walking machines after themselves, but no mention of this was in the book so I had to eliminate those features.

Next was to sort out the biology based on the environment and the ideas of evolution and how they would adapt. Based on the book I concluded they were underground dwellers, this meant minimal light and thin atmosphere. Some of the biological choices I made included a kind of doubled pupil in each of the eyes, very thick short coarse hairs for detecting vibrations and sound to help with the “tympanic ear” membrane, and assisted oxygen intake. Thinking the mouth area was not adequate to breathe, I included some slit-like openings in the ribcage covered in longer finer hairs to breathe and protect them from debris and dust particles. My designs included all manner of anatomical drawings from the large brain all the way up to fatty deposits, muscle tissues and outer membranes to try and understand how these creatures lived and moved.

Finally it was time to build the monster. Originally I wanted to make a large sculpture of clay and do the traditional thing of making huge molds and positives, but soon realized the nature of the creature wouldn’t allow for this. Too much tight control, I thought, would prevent the Martian from growing, by this I mean that sometimes when I sculpt, I sit with the clay and ask it what do you want to be? The same happened with the Martian, I got into my ‘zone” and simply started cutting and shaping materials until the Martian told me what it wanted to be. The end result was a very organic, naturally growing and evolving process.

A lot of work and sleepless nights, sometimes feeling I was in a trance and being more a conduit rather than a creator, I had been working on the Martian creature for weeks, having great doubts and fears, as artists tend to do. But then the day came when we went to the set and uncovered him. The crew had such a great response having not seen him or the process and the advantage of those fresh eyes relieved much of my anxiety. We all had so much fun making him come to life. Everything coalesced into a truly amazing experience; there is nothing quite like being on a movie set watching and being a part of that creative magic.

Pendragon Pictures is distributing WAR OF THE WORLDS THE TRUE STORY through its new distribution company LHG, in the face of a quickly changing business landscape.

Susan Goforth is emphatic about the theatrical distribution of WAR OF THE WORLDS THE TRUE STORY, To quote Variety Magazine,The symbiotic business model between the theater owner and studio that has supported both for decades is eroding, and may prove unsustainable soon without changes. We have created a distribution plan that will have us into 200 theaters plus by fall.

Donovan Le adds, We are booking a variety of theatrical venues from 400 to 1,500 seat theaters, but we are choosing theaters that have a sense of class and decorum to support the spectacle of our 1900-set movie.

Such a theater where WAR OF THE WORLDS THE TRUE STORY will play is the historic Crest Theatre in Sacramento California. The theater was created as a vaudeville house in 1913, then converted to a motion picture theater in the late 20s. After a closure in 1979, the theater reopened in 1985 featuring the MGM musical “Singin’ in the Rain” which starred Donald O’Connor who was in attendance at the event. In 1995, a million dollar restoration brought the Crest, Sacramento’s last picture palace back to its spectacular golden-age appearance. The elegant Crest boasts of a fabulous gold leaf art deco interior. As part of the

Related Interior Design Press Releases

iRobotics Massage Chair To Be Featured at COSMOPROF North America


Arlington, Texas (PRWEB) June 05, 2012

The iRobotics is designed for the grueling demands of the nail salon industry. Luraco brings its experience with military technology to this innovative new product offering that combines extreme luxury with high-tech innovation. Luraco is best known in the beauty industry for their patented pedicure jets; the Magna Jet and Dura-Jet III. Both jets are very popular for reliability and easy sanitation features. Known in the beauty industry for innovation, Luraco had many requests to develop a reliable massage chair specifically for the beauty industry. Luraco has responded with the one of a kind, iRobotics massage chair.

Features include:

Advanced, Full Function Massage System

Swedish and Shiatsu Massage

Self Diagnostic System

Military Grade Components

Replaceable Remote Control

Removable Chair Back

Replaceable Control Box

Integrated MP3 Player

Laptop Holder

High Reliability

Ultra Soft Genuine Leather

Designed for the 8-10 hour a day demands of nail salons, the iRobotics is up to the test. The problems of broken mechanics, faulty remote controls, and break-downs are virtually eliminated with the iRobotics self diagnostic system. The system notifies the user via an LED display of the internal status of the system. If for example, an LED identifies a problem with the remote, the remote can be easily replaced. The same is true for other common failures of massage chairs. So, now there is no need to send the entire chair off for maintenance when a simple remote replacement or reboot of the mother board solves the issues.

The iRobotics has advanced comfort features as well as technological. The massage motion includes both Swedish and Shiatsu massage techniques. The internal working components are unsurpassed in quality. Soft, subtle leather nests you in comfort

and an integrated MP3 system allows the user to enjoy the music of their choice. A unique and stylish laptop holder is available as an option for an additional luxury for salon guests.

The massage chair comes in four popular colors and is light weight to save on shipping costs. The iRobotics fits on to most existing pedicure spa bases.

For complete details please contact Luraco Technologies or visit the Luraco booth at COSMOPROF North America.







I know it is Jr. High and peculiar is norm there, but what I noticed was their option of footwear – UGG Outlet Online Slippers

I was sitting in front on the Junior High College the other day, waiting for my daughter, when I noticed by far the most peculiar point! Now I know it can be Jr. High and peculiar is norm there, but what I noticed was their option of footwear – UGG Outlet Slippers. That was boys and girls, mind you.
You understand, the fuzzy ones that slip on that we employed to call mules. The boys just like the moccasin-looking slippers. And the one particular that all the popular youngsters are wearing (puhlease!!!) are Uggs.
You may recognize the name – they’re the makers of those Australian sheepskin boots that have been off-the-chart favorite to get a handful of years – they are back once again this year. Ugh boots worn with leggings or skinny jeans tucked in along with a massive bulky sweater would be the hit!
But in all fairness, they are cool, fashionable and in some cases comfy shoes. You should treat yourself in the end of a extended day (or in the beginning!) with these. A well-known style is Scuffette UGG Slippers. They’re produced of soft, cozy sheepskin that keeps your feet warm during winter months and delivers moisture-wicking comfort within the summer season.
I just like the way the cuffs have exposed sheepskin as well as the soles are made out of suede so they may be tough. This is in each the boys and girls slippers. For authenticity, they sport the women ugg fashion logo on them, also.
So though you are shopping, I am positive you’ll want to make sure you spiffy up your boots by purchasing a new pair of Uggs. With winter around the corner, boots are a ought to for all closets. On the other hand, never limit your imagination to winter as I’ve observed these getting worn adorably with shorts. They look so cute! Seems like a good decide to buy for what exactly is an all-year-long shoe.
Dignity in tact, letting my teen acquire this “everyone is wearing them, Mom” item, I will naturally point out the sensibilities and dependability of the slipper. And boy never they appear cute on those teens!

Reading this article can help you find cheap car insurance in California today

Collision Insurance. Collision insurance will pay for harm to the policyholders own car, regardless of who caused the accident. This coverage relates to injury to the policyholders car as a result of an accident with another vehicle or perhaps a stationary object, or as a result of earning. If another driver was at fault, the insurer may spend the money for policyholder, then seek reimbursement in the other drivers insurer. Coverage is fixed in two ways. First, the total amount the policyholder can collect is not any a lot more than the current market price of his / her car immediately ahead of the accident. Second, the individual buying collision insurance selects a deductible. The deductible may be the amount of each loss how the policyholder pays prior to the insurance carrier makes any payment. So, as an example, with a deductible of $200, the insurance coverage buyer pays the very first $200 associated with a collision claim, and the insurance company pays the others. Generally, deductibles range between $50 to $1,000. The greater the deductible, the reduced the premium for collision coverage. Are you Visalia auto insurance company looking for cheap car insurance in California? Certain best car insurance are offering low rates for drivers just like you.

Comprehensive Coverage. Comprehensive coverage is an option covering losses because of most kinds of damage besides collision. It covers such risks as fire, theft, vandalism and malicious mischief, glass breakage, falling objects, collision with animals or birds, explosions, earthquakes, windstorms, floods, hail and so on. However, some kinds of objects and events are generally excluded; for example, most policies will not pay for tape decks or CB radios. Comprehensive insurance provides broad coverage. As an example, in case a car is stolen, the insurance company reimburses the policyholder for the worth of the vehicle as well as pays a reasonable amount for substitute transportation, such as a rental car, perhaps for as long as Thirty days. Some policies extend coverage to incorporate damage or theft of rented cars. And, although comprehensive is supposed to buy damages to the policyholders car as opposed to to property in the car, some policies provide limited coverage web hosting effects in the car when the loss is due to fire or lightning.

Cheap Car Insurance In California

best car insurance will work with you to get you a fair rate.

How crazy-expensive is Texas automobile insurance lately? Not anymore, if you look at this article and follow our recommendation!

Persons who oppose using some current criteria (age, sex, territory, for example) suggest that miles driven annually should be substituted with these 4 elements. The problem with giving too much weight to the mileage factor is it is incredibly hard to verify. Many drivers could be highly motivated to underreporl their yearly miles to be eligible for a lower insurance charges if this type of factor alone had the potential to reduce their insurance costs substantially. Independent annual verification could be administratively cumbersome and expensive, to say the least; simply processing the annual mileage reports could be expensive. Furthermore, many insurers believe that mileage driven is a less important predictor of loss than driving conditions. For example, of two otherwise similar drivers, the one that drives merely a relatively low 7.500 miles each year, but who drives primarily at rush hour, will in all likelihood attend greater risk of your accident compared to the driver who drives, say 12,000 miles annually, but totally on Interstate highways in non-congested areas. If you’re sick of paying too much for Texas auto insurance, click on this Texas car insurance laws and fix that problem forever!

One more consideration is that females have lower accident rates than males for the similar miles driven underneath the same conditions. Therefore, if miles driven is substituted for gender, women will pay- more than their great number of accident costs and men pays less. BType of Car. Generally, the more expensive a vehicle may be the higher the insurance premium for comprehensive and collision coverage. More costly models are always costlier to switch and usually more expensive to fix than lower-price models. Some cars, such as high end and sports cars, are statistically more prone to engage in accidents, are costly to fix, and so are more inclined than most cars to obtain stolen. 

Cheap Auto Insurance In Texas 
Cheap Austin auto insurance are available right now at this Texas car insurance requirements online web portal! Relating risk to cost, insurers typically charge their highest rates for comprehensive and collision on such cars. Most insurance providers rate cars with regards to a catalog of risk for each and every make and model. A sizable station wagon, as an example, will have lower risk when compared to a subcornpact car, since the station wagon, being larger and heavier, will often sustain less costly damage in a collision. The station wagon can be probably less inclined to be stolen. Some states allow premium costs to be depending on overall actual loss experience of various brands, while others limit insurers to basing rates only on vehicle values.

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